
Heavily influenced by The Decadence period of literature, Hernan Bas’s paintings are inspired by well-worn pages of Wilde and Huysmans. “Why does homosexuality seem to make you pre-disposed to liking these things?” Bas questions. “As a result this work is tainted with Saint Sebastian martyr types, dying dandies and peacock feathers, all the materials that dictate a certain queer vocabulary." Hernan Bas’s style of painting emulates linguistic flourish. Impassioned brushwork and pastel hues bloom with poetic description; environments are set with the divine ambience
of transience. Confined
by fanciful etiquette, Hernan Bas’s figures allude to darker sentiments. Their posed innocence is but a thin veil of gentlemanly decorum.
Hernan Bas’s paintings are tinged with a nihilist romanticism, born of literary intrigue and a passion for historical painting. Exploring the possibilities of dandyism in the modern world, Hernan Bas’s bitter-sweet subject matter ranges from Greek mythology to contemporary genre painting, always derived from his connoisseur’s predilection for the poetic and empyreal. Funerals and cemeteries appear often in Hernan Bas’s work, inspiring thoughts of Keats's gothic malaise and the tragedy of lost love condemned to an eternally angelic slumber.

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